Tenorguitar.com is an excellent site devoted to this mysterious 4-stringed instrument.

I've just spent quite a little while reading through Bob's guitar pages which he describes as "an information resource to both aspiring and existing hobbyist electric guitar makers". Really excellent stuff, and if you're after a custom made instrument, then his prices are very reasonable!

Another modular guitar system - the Chrysalis Guitar system "consists of a family of interchangeable components which allow a musician to quickly assemble a full-size full-scale electric/acoustic guitar without tools. The parts snap together, and the strings are brought up to playing tension with a lever in the back of the headstock. With interchangable components, a wide variety of instrument forms can be created, including 6- and 12- string electric guitar, 6- and 12-string acoustic guitar, 8-string electric or acoustic mandocello and acoustic bass guitar configurations."

"The guitar components are designed for rapid assembly and disassembly without tools, making it extremely compact for storage and transport. All of the parts for the guitar can be fit in a small cloth gig bag measuring 8" x 2" x 20" (10 cm x 5 cm x 40 cm)."

Mike Rutherford's Custom Shergold Doubleneck - there were actually four "halves" of this instrument which could be clipped together in different double-neck combinations. Great website about these classic British guitars, by the way!

Some very colourful and vivid graphics by Harley Guitars and a preponderance of parrots!

Elvis' first ever guitar on sale

A 50-year-old guitar held together with scraps of tape could fetch £4 million at auction. The instrument was handed to her son by Mrs Presley for his 11th birthday back in 1946. It cost the equivalent of a fiver but was to help little Elvis to become the biggest rock ‘n’ roll legend the world has ever seen. More...

Pictured: Elvis plays guitar (a Gibson Trini Lopez, I believe [edit: no it wasn't, it was a Hagstrom]): probably not the one his mother bought him for his 11th birthday.

Xilinx and Gibson Guitar Team to Deliver the Music Industry's First True Digital Guitar

Guitar Project: Update

Remember this? This was to be my next guitar project:

To re-cap, it's an Encore "Guitarist" guitar, very beaten-up and with missing pickup, knobs, bridge saddles, etc. The heavily-scratched body appeared to be made from MDF and still had the sheared-off pickup mounting screws stuck in the front of the body.

The neck, however, is in very good condition, so I was considering marrying this neck to another - better quality - guitar body.

Today I received a parcel containing the Telecaster body I've been expecting.

The neck from the Encore would seem to be a perfect fit into the Telecaster's neck pocket, and indeed, I think that the shape of the headstock is aesthetically pleasing when used with this body shape. But I will have to make some careful measurements as it is highly likely that the body has been designed for a 21 fret neck whereas this is a 22 fret neck. This means the whole neck is slightly longer and to compensate for this the bridge on the guitar would have to sit slightly more forward from the usual position, bringing it very close to the rear pickup cavity.

I'm wondering what are the rules governing distance from the rear pickup to the bridge. Obviously if it is too close, there will not be enough string vibration for the pickup to capture. But, of course, this depends on what kind of pickup I put into that rear cavity. If I put in a single coil pickup, I could position it away from the bridge.

By the way, pickups I currently have available are a Seymour Duncan Stratocaster-style single coil pickup, and a DiMarzio humbucker, although I am still on the lookout for others (just in case).

Another thing I have to bear in mind is the scratchplate and/or control plates that the body will need. I have no idea from where this body originated or who made it, but the routing is hardly typical telecaster. All the standard Telecaster-style scratch plates that I have seen (including Custom and Thinline variations) would not suit this body. For example, with a regular Telecaster scatch plate mounted on this body, the routing from the rear pickup to the control cavity would still be uncovered.

Also, that control cavity looks longer than normal, so again, a standard Telecaster metal plate would not be suitable here.

I need to find someone who can cut a custom plate to my own specifications.

The Project: Short-scale bass guitar - Pt 6: Stumbling Block

Continuing to re-attach the hardware, I put the pickup in place, followed by the scratchplate, thumb-rest, and the bridge. I then decided to put the strings on also, so I could see whether or not it was all going to work as it should.

The strings were very old, flat wound (or tape wound), but that was unimportant; they still highlighted a very serious problem. The action was extremely high.

Looking down the neck I could clearly see that, with the pull of the strings, the neck was as bent as a banana.

So, off came the truss-rod cover, out came the allen keys and having tighted the truss rod as far as it would go...

The neck was still bowed!

Possible solutions:

1. Replace the bridge with a Fender style one that sits lower down on the body, and which might help decrease the action and make the bowing less pronounced.
   
2. Find a new (straight) neck.

Either way, it's going to make this project much more expensive, and I can't see me being able to make my money back. But as it stands, no-one would buy a bass with a bowed neck.

The Project: Short-scale bass guitar - Pt 5: We can rebuild it!

UPDATE: Having applied five coats of the All In One finish to both the neck and the body and having built up quite a luxuriant rich-coloured finish, I decided to re-bolt the neck back in place, and have begun to add the hardware, e.g. the machine heads. I would add all the hardware, but am undecided if I want to put the old bridge back on, or whether to buy a new Fender-style bridge (in which case, would I need to fill in the holes for the old bridge?).

It would also have been nice to have added a second pickup such as a jazz bass pickup in the treble position, but this would mean (a) buying the pickup (expensive) and (b) routing a cavity in the body to accommodate it. I think that for this project what I'm going to do is to leave it as a retro-piece, which just the single neck pickup.

One very real problem that I have yet to address is the Big Hole in the front of the control cavity. Someone - a previous owner - had butchered this bass in an attempt to fit a Stratocaster-style recessed jack-plug socket. The only problem being that they couldn't actually fir this inside the control cavity, so they flipped it over so that it wasn't recessed by protruded outwards from the body! What a bodge job.

Needless to say, I do not intend reinstalling this socket. A regular jack socket, mounted flush to the body should do nicely. Only, I have the Big Hole to contend with. So, I suppose I ought to mount the new socket on a plate of some kind. I might be able to buy something, or perhaps cut myself one from a piece of wood and stain it the same colour as the body.