Showing posts with label video. Show all posts
Showing posts with label video. Show all posts

Thursday, 8 December 2016

Greg Lake: King Crimson and ELP star dies aged 69

guitarz.blogspot.com:

2016 has been an extraordinarily bad year for our favourite musicians passing away, and now I'm sorry to learn that Greg Lake has died.

No doubt we'll be hearing his 1975 solo hit "I Believe In Father Christmas" over this festive season; although not explicitly about Christmas it's one of the better records to be categorised by many as such, but now will be tinged with sadness.

G L Wilson

© 2016, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
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Sunday, 15 February 2015

1980s Robin Octave Double Neck Mint With Case

guitarz.blogspot.com:


There's got to be a more convenient way to play a guitar duet than sharing the same doubleneck guitar. But if you and a buddy are really hellbent on re-creating Jimmy and Stevie Ray Vaughan's party piece, then this 1980s Texas-made Robin doubleneck is for you!

It's a Strat-style guitar with one standard-scale neck and an octave neck, and is currently listed on eBay with a Buy It Now price of US $3,562.50.

G L Wilson

© 2015, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Tuesday, 27 January 2015

The Shonky doubleneck guitar/bass in action!

guitarz.blogspot.com:

Please accept my major apologies all around for the very infrequent blog posts of late. I've just been busy with other projects and unfortunately the blog has been put on the back burner. Previously I had asked readers if they'd like to help and post on the blog, but being so easily distracted I failed to follow up on any of the offers. Please accept my apologies once again.

Meanwhile, so you can hear how it sounds and to demonstrate my vision in having this thing built in the first place, here above is my solo rendition of "Glacial Express Way" from the Spurious Transients album Portraits Of A Landscape using the Shonky doubleneck guitar/bass.

G L Wilson

© 2015, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Wednesday, 14 January 2015

Doubleneck guitar and bass project - finalised!

guitarz.blogspot.com:
Following my October 2014 blog post asking for assistance in realising my dream of a very specific doublenecked guitar and bass, Antony Moggridge of Shonky Musical Instruments took up the challenge to build this beast for me. Above you can see his initial draft design following an exchange of emails in which I made clear exactly what I wanted.

My main specifications were for a doubleneck guitar and bass with the bass neck below the guitar neck; I wanted a compact body so as to keep the sheer bulk of instrument to a minimum; and I wanted the controls to be simple and uncluttered with NO switches on the upper bout or upper horn of the guitar, and no switches on the body in the area between necks - all switches HAD to be down the bottom at the rear of the instrument.

Together we hit upon the idea of using concentric pots for the volume and tone of each neck so as to save space and keep the control layout very simple. I also suggested that perhaps the design could be slightly Jazzmaster-like as opposed to taking its visual cues from the usual suspects (SG, Les Paul, Strat, Tele, P-Bass, etc).

Below you see the OSB mock-up body with bridges and necks positioned to give a better idea of what the final guitar will look like.

Another constraint was that I wanted this built on a tight budget. In order to keep costs down, I sent Antony a package of components, spare parts that I already had, namely: a Strat-style neck with a trimmed headstock, a left-handed Peavey bass neck, a set of Strat-type pickups, a pair of Danelectro lipstick pickups, a hardtail Strat-style bridge, and a P-Bass style bridge.

Antony re-shaped the headstocks to his own preferred Shonky style, which I agree is quite elegant. Note that in order to do so, he had to glue an extra piece of maple to the guitar headstock which had been quite brutally trimmed to vaguely resemble a 1960s-era Vox headstock.

In the next few pictures we see the shaping, contouring and routing carried out on the centre-joined two-piece reclaimed sapele body.


The next photo Antony sent to me to illustrate the size of the body. You can see that it's not a lot larger in size than the Strat body laid on top of it.

Antony initially applied a hand-rubbed stain (we wanted a natural finish as it seemed a shame to cover up the natural grain of the sapele), and then sprayed the body to accomplish a tobacco sunburst.

Here we see the perspex scratchplate (pickguard) template...

...and here is the scratchplate itself cut from some rather interesting snakeskin-effect scratchplate material that Antony had sourced. The scratchplate and bridges have been positioned on the body so as to get the general effect of how it will eventually appear.

Getting there... Hardware installed.

Necks bolted on.

The wiring was quite interesting as we have three pickups, volume, tone and 5-way selector switch on the guitar side; two pickups, volume, tone and 3-way selector switch on the bass side; and two mini-toggle on/off switches, one for each neck. Output is via a stereo jack socket to be used in conjunction with a split "Y" cable so as to send guitar and bass signals to separate effects and amps.

And all strung up and ready to go...


The finished item!

I've been playing this guitar/bass daily since I received it a week ago. (Antony actually finished building it in December, but we decided not to send it until after the madness of the Christmas posting period was over and done with).  I am exceedingly pleased with it and believe that between us Antony and I have come up with a fantastic design for a doubleneck.  OK, so it IS heavy at about 14lbs, but the body is nicely compact, playing the bass neck feels very natural and it is not a problem having to reach over the guitar side. The control layout is sensible and easy to use, and there are no switches in silly places where I might hit them accidentally whilst playing. Moreover, I find that it actually balances well on a strap and does not suffer from neck dive - a common complaint with doublenecks.

Antony said that in retrospect he could have made it a little lighter be removing more wood from beneath the scratchplate, and perhaps making the body shorter so that there wasn't so much wood beyond the bass bridge. But then I have to ask, would it have hung so nicely on a strap? Might that have made it neck heavy.

I played this at rehearsal with my band Spurious Transients at the weekend and it coped admirably. I've also been experimenting using the doubleneck in conjunction with the new Boss RC-1 Loop Station (the uncomplicated one!) and the results are very promising indeed.

I'm going to be playing some Spurious Transients gigs later in the year (including at this Festival of Psychedelia - hey, you can't get more prog rock than a doubleneck) and will be using this baby so I can switch between guitar and bass on the same songs.

Huge thanks to Antony (who gives his own account of the build here).

G L Wilson

© 2015, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Thursday, 30 October 2014

1960s Migma Favorit hollowbody teardrop electric from Germany

guitarz.blogspot.com:
Here's an intriguing German-made guiar currently listed on reverb.com with a Buy It Now price of US $1,400 + shipping. It's a Migma Favorit, according to listing made by Heinz Seifert (?) if I am reading that correctly. It's supposedly from 1960, in which case it would have pre-dated the Vox Mark IV (a.k.a. Teardrop) by three years. I guess the shape might have been based on that of a lute - it would seem to be the obvious genesis for this design.

The example being sold here is obviously missing a pickguard, which would have hidden the enlarged part of the lower f-hole. I'm guessing it was made that way as an easier way of getting the pots in place during assembly. And just to prove that this is a playable guitar, here's a video of Linas Pečiūra playing "Corcovado" on this very instrument.



G L Wilson

© 2014, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Saturday, 18 October 2014

Zane King plays the Jackson Steel SlideKing Bass

guitarz.blogspot.com:

I believe that this footage is currently going viral in guitar-related blogs and Facebook pages, but unlike a lot of the viral nonsense, it is worth viewing. Although the Jackson Steel SlideKing Bass looks like a slide guitar or a console guitar (seeing as it's on legs), it really falls under the category of pedal steel as it has four pedals to change the pitch of the strings.

The SlideKing Bass retails for $1,995.00 + $250 for a case (apparently they won't ship it without a case, so I don't know why they have separate pricing as if it's an option).

G L Wilson

© 2014, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Tuesday, 7 October 2014

Doubleneck guitar and bass project - your ideas and help wanted!

guitarz.blogspot.com:


I've been mulling over ideas for a guitar that I have decided I need in order to reproduce in a live situation the music I have been making in a couple of projects.

This past year I have taken to the bass guitar in a big way, so much so that it has become my main instrument. However, I still want to play guitar as well, but more than that what I'd really like to do would be to play both bass and guitar on the same songs. So, what is required is a doubleneck guitar and bass. Add in a looper pedal (or preferably two) and the possibilities are quite staggering - just check out what Kristian Dunn does in El Ten Eleven (see video clip above).

However, finding an off-the-shelf solution to a doubleneck guitar/bass combination is not so easy. Most such instruments I can find have the bass neck at the top and the guitar neck at the bottom. I can understand the logic at work here so that you have the strings across the entire instrument running from low to high, but I believe that this is not the best practical arrangement. Just think about it. For starters I'd have thought that having the longer bass neck at the bottom of the instrument would allow for better balance. But there is also the question of playability. With a bass on top you would need to rest your forearm across the longer scale bass strings in order to reach the guitar side, which could lead to unwanted damping or spurious noises from the bass if the volume for both necks was on at the same time. Also, for chordal work / strumming on the guitar I'd rather have that higher up on my body, whereas for playing bass I'm personally happier to have it slung a little lower.

So, yes, for me bass on bottom is definitely the way to go.

In which case, what options are there?


Well first off there are vintage instruments like the Shergold doubleneck and Danelectro examples pictured here.

Even better would be the Carvin DB630 as used by El Ten Eleven's Kristian Dunn. It's definitely one of the better doubleneck designs I have seen; it looks a lot less cumbersome than most.

Alas, these vintage instruments are all quite rare and not very easy to track down. In the event of actually finding one for sale, it is liable to be expensive. Did I mention that my budget is limited on this project? Quite frankly, the less I can get away with spending, the better.

OK, so how about a cheaper instrument from China or Korea? There are a number of websites that feature such instruments for sale, some of which have very cheeky copies of certain big brand American guitars complete with counterfeit logos, whilst others are variations on designs from those same companies but are guitars that never existed. In this latter category are a number of doublenecks.

For example, this Rickenbacker 6+4. (Note that Rickenbacker's own 4080 doubleneck model had the necks the other way around with the bass on top). However, even though the Far-Eastern made Rickenbacker-influenced doubleneck has the necks in the correct formation for my requirements, just look at the size of that thing! It's much more cumbersome than I would prefer.

I also found this Steinberger-like headless doubleneck 6+4. With a compact body and no headstocks it shouldn't be too cumbersome. However, I could find zero information about it and looking at the photos I couldn't tell if if had one output or two (that would be ideal - an output for each neck). Looking at the control layout, I can't see any selector switches, not just for the pickups but for each side of the instrument. The use of volume controls alone would not be convenient - you'd have to raise the volume on one side of the instrument and lower it on the other. A simple switch is what is required. Furthermore, when wondering how well it would balance on a strap, I checked all the photos I could find and couldn't even see any strap buttons. It does look to be a very cheaply made instrument. Yes, I wanted cheap, but even so I would prefer to have all the basic hardware you'd expect.

The only other doubleneck 6+4 that I could find (that is, with the guitar uppermost and the bass beneath) was this Strat/P-Bass combination. I liked this design very much and particularly liked the reverse headstock on the bass side which neatly gets around the problem of the tuners getting in the way of the opposite neck. Maybe it's a little more cumbersome than I should be aiming for, but it would indeed look very cool on stage. However, it appears to be a discontinued model and I simply couldn't find an example for sale. Quite frustrating.

OK, other options would be to commission a custom-built instrument but I've already explained that this is a budget operation, so that leaves the DIY route. Well, I've checked the doubleneck guitar kits available and can only find a 6+4 with the bass on top.

Bertram's advice to me is "try my way - cut two Squiers in halves and have them glued together by a pro." He's referring of course to his Doppelcaster, the doubleneck Telecaster that he built.

That is indeed one option, but if I wanted a doubleneck like the last one pictured above, joining a Strat body to a P-Bass body isn't quite so simple as the latter is a longer shape (remembering that I want the bass at the bottom). Then of course there is the body contouring to take into consideration. Slab-bodies would join together much more easily so maybe as Bertram suggests I should think Telecaster rather than Stratocaster.

Other guitars I considered joining together are:
  • Ibanez GAX30 guitar and Ibanez GAX150B bass. But what do you know?... The GAX150B is now discontinued and no-one seems to be selling them on eBay either.
  • Hofner Shorty guitar and Hofner Shorty bass. I thought this might allow for a nice compact design but I couldn't quite work if it was feasible to chop portions of the bodies off and join then together. There didn't seem to be quite enough material to work with. I did momentarily toy with the idea of NOT chopping down the bodies but connecting the two together with metal rods drilled into the bodies. However, I figure this would mean that the two necks would be too far apart from one another.
  • Epiphone LP Junior/Special and similar bass. As long as both were slab-bodied and of the same thickness, this could work, but I simply haven't found the necessary donor guitars for sale.
So maybe what I want to do is to take parts from a couple of donor guitars and have a new body constructed to accept the donor necks and hardware. I'm quite happy to use my cheapy no-name Chinese Telecaster for parts but haven't yet got a donor bass - I was wondering about a Squier Bronco bass maybe?

So now I'm going to be rather cheeky and ask if there are any Guitarz readers out there who would be willing to help me with this project? (Hey, I may as well take advantage of having this guitar blog!) I neither have the resources or the talent so I'm going to ask: Would someone out there be able to build me a doubleneck body? I'm more interested in function rather than it being a superb piece of first class luthiery. Obviously I'd be willing to pay but I'm not able to pay custom shop prices. It'd probably be best if it was someone in the UK or maybe Europe, so as to minimize the cost of sending parts and materials back and forth.

I am open to suggestions but at the moment, I believe what is required is a new body routed for Telecaster parts on the guitar side and probably a P-Bass on the bass side (or possibly a Squier Bronco bass - the shorter scale may make for a better balanced instrument). As to the design, that is something we could discuss further.

Please contact me by email (gavinlloydwilson@yahoo.com) or else via the comments below.
If anyone else has any ideas which might be useful please feel free to add to the discussion.

Thanks

G L Wilson

Additional: Someone has suggested that I simply buy one of these and swap the necks around. I wonder if it might be as simple as that? I can see that the bridges and pickups are in the same positions but would the neck pockets be the same size?

© 2014, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Friday, 2 May 2014

Further to yesterday's blog post... it's that guitar again

guitarz.blogspot.com:

Further to yesterday's blog post concerning the identity of a guitar being used by a guy in Chet Atkins' band, I'd like to thank all of you who left comments, both here and on our Facebook page, to the effect that the guitar was a Stratosphere.

A few of you even linked to an earlier post here on Guitarz in which we had already looked at a Stratosphere doubleneck guitar. What can I say? I guess I can't remember everything. (I did think it looked familiar, if that helps).

The one curious thing is that the body does rather look as if it had been designed for one of Stratosphere doubleneck guitars (of which they made several). Check out this video to see and hear this guitar in action - there's a nice close-up shot 48 seconds in.

G L Wilson

© 2014, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Saturday, 26 April 2014

Funkadelic - Maggot Brain featuring Eddie Hazel and Michael Hampton

guitarz.blogspot.com:


Apologies to regular readers wanting their daily dose of Guitarz. Again, I am too busy for a proper post. Let me just quickly leave you today with this video clip, which I hope you enjoy!

G L Wilson

© 2014, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Tuesday, 1 April 2014

From Wampler pedals: the HAIR-stortion with built-in fan!

guitarz.blogspot.com:


From Brian at Wampler Pedals:
We've been secretly developing a new pedal for limited release..

I'm a huge fan of 80's rock tones, and I was raised during the "glam band" era where all of my favorite guitar players would stand in front of fans, prop a high-top shoe on top of a monitor while they stood in front of a fan to get that look that so many guitar players attempted to emulate back in the 80's.

Finally, we created it! I PROMISE you, you've never seen anything as unique as this...

Check it out here: http://youtu.be/rBDyv-EEZ9g

Thanks,
Brian
Wampler Pedals
© 2014, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Tuesday, 25 February 2014

Glen Campbell's mystery guitar

guitarz.blogspot.com:
Tate writes:
I've never seen one of these (closeup around 1:50). There are other videos on YouTube showing him with this guitar, too. What a player. I believe this is live: they didn't normally close-mike vocalists on TV back then.  What is this guitar?

Thanks for your great blog from Minneapolis, Minnesota, USA, where the temp is currently -19 °C.

- Tate
Hi Tate. All the clues are there. The headstock shape, the cut-out in the body, the metal pickguard, the offset block markers... It's a 1960s Japanese-made Teisco. However, I am unable to tell you the exact model, it's not one I've seen before. It certainly sounds great in Glen Campbell's hands, though!

Anyone out there have any more exact information?

G L Wilson

© 2014, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Wednesday, 1 January 2014

See a Migma thinline guitar in a Wall of Death video


In this video of French band Wall of Death (who opened for the Black Angels on their last tour, the guitarist mimes playing on an übercool Migma thinline such as this one (we also posted about the blue model with floral  pattern that is on the video but I cannot find the link [here it is - GLW]). From the live videos I could see online, he doesn't play it on stage…

I wish you a happy New Year 2014, full of Peace, Love and Guitars!

Bertram D

Edit: here is the guitar 

© 2014, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Friday, 20 December 2013

What's that ... Banjo?

guitarz.blogspot.com:

Here's an interesting bantar guitanjo thing played by Brian Setzer in his Stray Cat days. Is it a one-off? Can anyone ID it? Thanks!

yours, Tone Deaf Radio

Hi Tone, it does indeed very familiar. I have a feeling I've seen one being used by The Pogues. But yeah, it's a Deering Crossfire electric banjo. It actually has two magnetic pickups mounted beneath the head and is designed to be played at volume without any feedback.

Note it's not really a "guitanjo" or a "bantar" - those names are usually given to six string banjos, which are essentially banjos tuned like a guitar so as to accommodate guitar players' existing know-how.  This Deering is a proper 5-string banjo, but in electric format.

G L Wilson

© 2013, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Wednesday, 11 December 2013

Joe Pass plays the Fender Jaguar

guitarz.blogspot.com:

When we think of the Fender Jazzmaster and Jaguar guitars we often associate them with surf and "alternative" rock music, the likes of Sonic Youth, etc. But of course, they were originally conceived by Fender as jazz guitars. Perhaps the styling was too modern to appeal to most jazz players, but as you can see and hear in the above video clip Joe Pass certainly gave the Jaguar a good try out.

G L Wilson

© 2013, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Friday, 29 November 2013

Check out the Hammer Jammer from Big Walnut Music

guitarz.blogspot.com:


The Hammer Jammer from Big Walnut Music is certainly one of the most interesting guitar add-ons I've seen in a while. As to what it does, the clue is in the name; it more or less converts your guitar into a hammer dulcimer, adding a whole new palette of sounds to the instrument. I think the above video illustrates quite nicely what it's all about.

G L Wilson

© 2013, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Tuesday, 24 September 2013

Trevor Gordon Hall plays the Kalimbatar

guitarz.blogspot.com:



Now this is really cool. This is Trevor Gordon Hall and he's playing this piece on his kalimbatar - which in essence is an acoustic guitar with a kalimba (thumb piano) surface mounted to it. The tone of the kalimba perfectly matches his guitar, but then it is sharing the guitar's soundbox. Check him out on Candyrat Records.

Gavin Wilson

© 2013, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Saturday, 6 July 2013

A banjo guitar made from trash

guitarz.blogspot.com:


Check out the above video amd then see how this banjo guitar was actually made here. Don't worry if you can't read Hungarian, there are plenty of photographs to illustrate the whole process. I particularly like the novel approach to the frets, and the tuning system is something else too!

Thanks to Zirig Árpád for the heads up! And if you've ever wondered what fuzz banjo might sound like:



G L Wilson

© 2013, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Tuesday, 25 June 2013

Link Wray & his Ray Men play "Rawhide" on Dick Clark's American Bandstand in this classic video clip

guitarz.blogspot.com:

Here's a fantastic clip of Link Wray and his Ray Men playing "Rawhide" on Dick Clark's American Bandstand. I love the reactions of the young studio audience when the camera turns on them, especially the girl who quickly whips her glasses off. (Please note, I am unable to embed this particular YouTube video here, so please click on the links).







The guitar that Link is seen playing here is the Danelectro Guitarlin, first produced in 1959 (it would have been new and "modern" when this video clip was filmed). The lyre-shaped body with extra deep cutaways allowed a longer than usual neck to be used on the guitar whilst keeping the instrument at a regular guitar scale length, thus the neck sports 31 frets taking it into mandolin territory when playing high up the neck - hence the name, Guitarlin.

G L Wilson

© 2013, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

Saturday, 8 June 2013

One-off Gordon Smith fretless SG guitar, plus Guthrie Govan on a Vigier Surfretter fretless guitar

guitarz.blogspot.com:
If you've ever considering dipping a toe or two into the world of fretless guitar, then you could do a lot worse than snap up this Gordon Smith SG-styled fretless guitar, currently listed on eBay UK with a starting bid of a very reasonable £299 and with no bids at the time of writing (approx 13 hours to go before end of auction). It's a one-off handcrafted custom build from this acclaimed British maker from Partington, near Manchester. What's not to like?

And while we're on the subject, check out the below video by Guthrie Govan in which he answers all the questions you may have had about playing a fretless guitar but were too afraid to ask. It really is an excellent introduction to the subject.



G L Wilson

© 2013, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.

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