Monday, 21 July 2003

Eliah Levy - The Stick Man - I just saw this guy busking in Oxford City Centre this lunchtime. Quite impressive. Unfortunately, I can't say the same for his website!

For more information on the Chapman Stick, see here: www.stick.com

Teisco guitar

Teisco guitarBack in March I mentioned that I'd bought an old Teisco guitar on eBay, then neglected to ever mention it again. Well, the guitar had really great sounding pickups, although perhaps the action was a tad too high for regular playing.

Teisco guitar
It also had one of the control knobs missing, so I replaced the whole set of four with an appropriately vintage-looking set also found on eBay. One slight annoyance with the appearance was that at some point someone had decided to spray gold glitter all over the whole guitar in an effort to make it look glam (perhaps?). I have been trying to gently scrape this off, but it's everywhere including on the fingerboard.


Teisco guitarNevertheless, the glitter doesn't detract from the great sound. Seeing as the action wasn't appropriate for regular playing, I decided to raise it even further and bought a nut extension from a guy called Chickenbone John who regularly advertises his slide-guitar products on eBay. This nut extension also has the side-effect of increasing the string spacing at the headstock end (obviously!) of the guitar so that the outside strings are almost hanging over the edge of the fingerboard! However, this is not a problem as I am using this guitar for slide playing (got a lovely bottleneck from Chickenbone John too!) and am playing it in the lap position as you would a Hawaiian guitar. The guitar is currently tuned to an open D chord and it sounds wonderful!

For more on Teisco guitars, see: www.teiscotwangers.com

Hendrix tops guitar album poll

Jimi Hendrix's pioneering classic Are You Experienced has been named the greatest guitar album of all time more than 30 years since its release. The 1967 release, which spawned classics such as Foxy Lady and Fire, was chosen by a panel of music writers and experts.

The Beatles failed to make even the top 20 although the writers thought their 1966 effort Revolver, with its backward guitar snatches on Tomorrow Never Knows, deserved a place in the list of the 100 greatest guitar albums. The Who were runners-up with 1965's My Generation and a self-titled 1962 compilation by bluesman Howlin' Wolf completed the top three.

Left-handed musician Hendrix made it to number two in the UK charts with his debut album Are You Experienced, continuing the promise shown on earlier singles Hey Joe and Purple Haze. He had perfected his incendiary style in the clubs of Greenwich village in New York, but found fame after being brought to the UK by former Animals bass player Chas Chandler.

Are You Experienced showcased his incredible talent as well as his range of innovative guitar sounds using an array of electronic boxes. Music writer Ritchie Unterberger said: "It's impossible to cram all the innovative ways of playing an electric guitar that Hendrix pioneered on his first album into one paragraph.

"Foremost among them were his use of controlled feedback coaxing both oceanic waves and subtle flutters; his mastery of a huge range of high volume distorted tones and his piercing, clear lightning-quick blues runs."

Two albums from the Nineties make it into the top ten - Loveless by My Bloody Valentine and Radiohead's The Bends. Only one album since Radiohead's 1995 release is thought to be worthy of the top 100 - Elephant by The White Stripes which was released this year.

Although hardly high on technical merit The Ramones debut album with its straightforward three-chord romps is included for its primitive excitement.

The top ten are:

1. Are You Experienced - Jimi Hendrix Experience.

2. My Generation - The Who.

3. Howlin' Wolf - Howlin' Wolf.

4. Maggot Brain - Funkadelic.

5. Loveless - My Bloody Valentine.

6. The Bends - Radiohead.

7. Ramones - Ramones.

8. Genius Of The Electric Guitar - Charlie Christian.

9. New Orleans Street Singer - Snooks Eaglin.

10. The Rock'N'Roll Trio - Johnny Burnette And The Rock'N'Roll Trio.

Sunday, 20 July 2003

Carlos SantanaThis weekend's other birthday boy is Carlos Santana, who is 56 today.

Saturday, 19 July 2003

Brian MayHappy birthday to the maestro of the home-made guitar himself, Mr Brian May, who is 56 years old today.

I'm glad to see he's not wearing his clogs on that skateboard!

Check out Brian's official website here: www.brianmay.com

Friday, 18 July 2003

Gruhn Guitars - THE source for the vintage instrument world.
The Genius of Lloyd Loar - The roaring '20s was a period of blatant disregard for laws, boundaries, and tradition. It was also an age of invention. In 1922 a brilliant acoustic engineer named Lloyd Loar developed the Mastermodel series of acoustic instruments and invented the first solidbody electric viola. Loar was the architect of the modern stringed instrument. This collection features the entire Gibson Mastermodel series and Lloyd Loar's personal instruments, which include his electric-viola, mando-viola, and musical saw.

Tuesday, 15 July 2003

Guitar Project: "Frankie 2"

This weekend I started to put together a second "Frankenstrat" from various odd bits and pieces that I had been accumulating. I had acquired a very attractive Strat body with a red transparent finish. Thinking that this could be the starting point for a really classy looking guitar, I bought a pearloid scratchplate, which came "loaded" with pickups, pots, wiring, etc (I got it for a very good price).
Strat body, with pearloid scratchplate in place

I already had a neck that I though would be suitable for this project, and indeed it was of the correct scale length and fitted the neck pocket in the body perfectly. Just one bizarre thing about this neck though, it was a left-handed neck with an Explorer-style headstock! Nevertheless, I thought it looked well cool, and let's face it - bog-standard STRATS ARE BORING! I wanted this one to look just that little bit different. (Actually, it strongly resembles one of the Strat-type guitars made by the Robin company in the 1980s.)
Strat body, with left-handed Explorer neck attached

So, I went about attaching all the parts: scratchplate, neck, tremolo claw, trem-bridge, springs, etc, and then wired it up to the jack socket. Plugged it in and ... it doesn't work. Arghhh!!! Looks like I've mixed up the wires and soldered the wrong one to the tremolo claw (for the earth), and so forth.

So... I had to remove the scratchplate so as to re-arrange the wires and poke them through the correct holes for the jack socket and tremolo cavities. But, as I was to find out, I couldn't take the scratchplate off with the neck in place, as the neck had a fingerboard extension to allow for 22 frets, and this was overhanging the scratchplate and stopping me from removing it.

I had to take the whole thing to pieces and re-wire it, then put it all together again. Once again I tested it through an amp (I had strung the guitar with a single string for testing purposes). Still not working! Grrrr... back to the drawing board again.

I tell you, I had that guitar assembled and then taken apart so many times that day that I lost count! I then got out my original Frankenstrat project guitar, and had a look under the plates of that one to see how it was wired up. I also consulted other Strat parts that I had, including another pre-wired scratchplate, a bunch of electrics without the plate, and the Strat-style guitbass that I'd been putting together recently. Would you believe it? It seemed that the electrics of no two Strat-style guitars (that I could lay my hands on) were exactly the same! However, in the end I think I worked out what was supposed to go where, and also discovered that I hadn't wired the original Frankenstrat properly either, as the tone controls were not working (this I fixed, obviously).

Despite getting all three guitars - Frankenstrats 1 and 2, and the guitbass - wired up as they should be (and double-checking against a circuit diagram I had found on the net), every time I tried out the guitars on my amp I was hearing a horrible humming.

At the end of Saturday I can tell you I was thoroughly sick to death of Stratocasters. However, yesterday it occured to me that the new Vox Brian May Special amp that I had been testing the guitars with might simply not like Stratocasters! So, again, I tried out all three guitars on my little Washburn practice amp. Perfect!!!

So, a word of warning there: Don't get a Vox Brian May Special amp if you want to play a Strat through it, because it'll sound awful. It's not a problem for me as I have other guitars.

Frankie 2, looking cool, but still some work to be done on itBut that wasn't the end of my problems with "Frankie 2". Remember that upside-down Explorer style headstock? Well, I soon discovered that my low E-string would fall off the nut because of the extreme angle of the head. I tried stringing all the string up "the wrong way around" and then the high E-string fell off the other side. So, I've now got this stupid situation where all the strings are strung normally except for the low E, for which you need to turn the machine head in the opposite direction from all the others in order to tighten the string. Not a very good situation really, so I'm going to have to find some kind of string retainer to screw to the front of the headstock for the strings to pass under.

So, how did the string stay in place on that neck originally, you ask? Well, the neck shows signs of having a lockin nut fitted. Not thinking that a replacement locking nut would be needed as I was only fitting a standard Strat-style tremolo to this guitar, I simply glued a non-locking roller nut in place. This turned out to be another mistake, as I hhadn't considered the height of the nut. I really should have filed out a little channel for it to sit in, as currently it is 1.5 mm too high, so the action at the bottom (headstock-end of the neck) is too high, making chords a right pain to play.

However, I did do quite a nice job of cutting out and shaping a little plate to cover the holes from the old locking nut on the headstock. I made the shape deliberately asymmetrical to echo the shape of the head, and I think it looks quite nifty!

So, still a few things to sort out on this guitar (see part 2 - coming sometime in the future), but it does look cool!

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