A cliché I regularly read on the guitar blogosphere, is the claim that the new made-in-Japan Zemaitis guitars are not the real things, that trying to prolong the work of craft-master Tony Zemaitis is pointless and almost blasphemous, and by extension that these guitars are probably just bad instruments (but if you dig a little bit, you find people saying that handmade original Zemaitis guitars were sometimes botched and badly finished, looking much better on photos than is real, a little bit like Wandre's).
Like most guitar lovers, I never played a Zemaitis guitar, never even saw one in real (neither original or Japanese) since they are not guitars you easily find at your local music shop, but I think that they are some the most superb guitars ever, and I imagine that all the pro musicians who play or endorse the new Zemaitis instruments don't do it only for their good look.
The one you can see here, a Zemaitis GZ500S Diamond is actually from the GZ series - one could call it the budget line of Zemaitis if they weren't over 2500 €, handmade, with engraved gears, abalone binding and inlays - built on contract by law-suit era copy specialist and old-timer guitar maker Greco (so good at cloning guitars that a part of the company became Fender Japan). It has upgraded pickups and pots and just one look at it causes in me a feeling of achievement and perfection (together with the sour feeling that I'll never have enough money in my life to buy such a guitar...)
bertram
Like most guitar lovers, I never played a Zemaitis guitar, never even saw one in real (neither original or Japanese) since they are not guitars you easily find at your local music shop, but I think that they are some the most superb guitars ever, and I imagine that all the pro musicians who play or endorse the new Zemaitis instruments don't do it only for their good look.
The one you can see here, a Zemaitis GZ500S Diamond is actually from the GZ series - one could call it the budget line of Zemaitis if they weren't over 2500 €, handmade, with engraved gears, abalone binding and inlays - built on contract by law-suit era copy specialist and old-timer guitar maker Greco (so good at cloning guitars that a part of the company became Fender Japan). It has upgraded pickups and pots and just one look at it causes in me a feeling of achievement and perfection (together with the sour feeling that I'll never have enough money in my life to buy such a guitar...)
bertram
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