Saturday, 31 October 2009

1970s-era Bunker Bass

guitarz.blogspot.com:
This Bunker Bass is an interesting one. It has the appearance of a Gibson Grabber/Ripper with some serious body surgery. It's interesting to note that the tuners are on the body beyond the bridge, predating headless designs such as the Steinberger by several years. Unlike the Steinberger, the Bunker Bass does have a headstock, although this would seem to be purely for aesthetical purposes.

Additional (4 Nov 2009): I found some more information in an article in the My Rare Guitars newsletter, as follows:
...Dave Bunker of Puyallup, Washington, began to turn his thoughts to a better guitar idea. Bunker, born in 1935, began playing guitar in around 1949 and in around 1951 started teaching in Puyallup. Then in 1955 he saw the traveling demonstration show put on by the great tapping guitarist Jimmie Webster and Dave adopted that technique. Conventional guitar design is not optimized for tapping, so naturally Bunker began to experiment and in around 1961 started making his own guitar designs. One of his ‘60s inventions was the idea of the “tension-free” neck. Basically this consisted of a heavy brass nut fixed to a thick brass bar that was attached to another block of metal in the body. A wooden neck was routed out and slipped over this brass core. Strings were anchored into the nut and stretched down to tuners on the butt end of the guitar. The brass neck core took all the tension of the strings, keeping the wooden neck free of any tension whatsoever. Like Les Paul’s “log,” Bunkers guitars often had variously shaped wings that could be bolted on to give more of an illusion of “guitar,” but he was getting down to the bare minimum!
Off with her head!, by Michael Wright, the Different Strummer

G L Wilson

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Friday, 30 October 2009

Vox V251 Guitar Organ

guitarz.blogspot.com:

Here's a great clip showcasing the now legendary VOX guitar organ on the I've Got A Secret TV show back in 1967. Thanks to Andy Stone for finding this one!

G L Wilson

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Bo Diddley and the Duchess play pre-Gretsch Jupiter Thunderbird


OK the Dead Weather play some cool instruments, but this is where they come from!
This is Bo Diddley in the mid-60s playing - together with Norma-Jean Wofford aka the Duchess, one of the first female guitarist in a rock band - his famous and beautiful Jupiter Thunderbird. This was not a Gretsch model like most people think, but a custom model recycling Gretsch parts, designed in 1959 by Bo Diddley himself who wanted 1. a smaller body to avoid hitting his groin when dancing, 2. a flashy guitar to shine on stage!
The guitar was named after some American car of the time...

It's only in 2005 that Billy Gibbons - who was given a Jupiter Thunderbird by Bo Diddley - proposed to Gretsch to issue what is known since as the Billybo.


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Thursday, 29 October 2009

Alison Mosshart plays white Gretsch Bo Diddley


I didn't like Gretsch's Bo Diddley rectangular guitar so much, until I saw it in snow white in the hands of graceful Alison Mosshart fronting the Dead Weather. I know that this all white Gretsch's guitars band is some kind of marketing hype, combined with Jack White's well applied obsession with colour, and that Mr White himself is evil since he made some fancy duo for a Hollywoodian movie, but they are still quite beautiful guitars (including of course the white Jupiter Thunderbird that White uses on other songs, and that stands ostentatiously next to the drums), and I do enjoy the music (though I prefer the rawer music of The Kills).

And it's so cool to have such a guitar to play just one note, uh!

There is a nice live video of the Dead Weather to watch on From the Basement.


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Monday, 26 October 2009

Another imcompetent DIY job

guitarz.blogspot.com:
If you really really really have to cackhandedly carve up a guitar body, then it may as well be a cheap Strat copy. You wouldn't want to ruin anything decent. Guitarz reader Biliby Iwai suggests that perhaps the desired effect was to make something resembling a Fender Musiclander (aka Swinger). Whatever the intention, it looks bloody awful.

How can anyone imagine such incompetent "customisation" can actually be an improvement? How do they have the nerve to use the word "customised"?

Basically for the Buy It Now price of £18.99 you get some cheap Strat pickups and other hardware. You may as well chuck the body.

G L Wilson

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Hoyer Fantastik

hoyer fantastik


A last stunning German guitar from the Schlaggitarren website - then I let you explore this site by yourself. But you probably never saw such an incredible guitar, one that is not just meant to look bizarre, but obviously an experimentation on sound.

So this is the Hoyer Fantastik, a guitar that really owns its name and appears in Hoyer's early 60s catalogue (picture above) though only six of them were ever built. Its body is made of six wooden tubes with their own sound holes - hence its nickname the 'organ guitar'. Due to its rarity and originality, it's considered the ultimate collector vintage German guitar.

If you click on the link up there you will find also an article in English about the brit guitarist Carl Goldie (right picture) who has been playing a Hoyer Fantastik his whole career (with an anecdote with Goldie refusing to sell the guitar to George Harrison in 1962 when sharing the stage with the Beatles). You will also find something about this guitar on Jazzgitarren (in English).


bertram



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Sunday, 25 October 2009

Kirk Hammet plays Teuffel's Birdfish and Tesla


A few days ago, I mentioned again Teuffel's Birdfish - one of my favorite guitars - in the comments about the Epiphone Triumph II post, and that gave me the idea of having a look at their website. I had then the surprise to see in their artists section these new pictures (I don't know how new, I didn't go there for ages!) of Kirk Hammet playing two models of the small but sharp German company.

These people at Teuffel made an obviously good communication move, though I doubt that the average metalhead will appreciate the avant-gardist technology and look of these brilliant guitars (no offense to metalheads, they are just as conservative as other rock musicians, even if their shredding god is able to acknowledge the genius behind Teuffel's products).

I do love the Birdfish (left picture), with the undeniably revolutionary concept that led to its birth, but I love even better the Tesla (right picture) that looks less precious, and particularly the 8-string / 29-fret 'super-size' model that I think is a one-off, but has better proportions (well, since I'm a big guy, big guitars suit me better).


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Friday, 23 October 2009

One-off thinline guitar


Can't tell much about this brandless one-off guitar on sale on eBay but that it has an interesting design, sober and original, and this peculiar big sound holes that you won't see so often on thinline guitars. I could tell you that is has Schaller tuners, Gretsch pickups and a pear tree + maple glued neck but I'm not selling it so who cares!

I can just tell that it looks like someone put some work and love in this guitar, to have it made so special technically and aesthetically (look also at these fretboard inlays!) and must not have been happy to sell it (it seems that it is a second-hand selling).
I wonder how it sounds though, anybody knows a similar guitar?




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Thursday, 22 October 2009

Steve Albini's 16-string guitar

guitarz.blogspot.com:

I'd like to thank Howard who forwarded this image of a 16-string guitar from Steve Albini's recording studio. It appears to be a "Frankenstein" creation with a hardtail Strat-like body (probably not a Fender) with a doctored Epiphone acoustic 12-string neck grafted onto it.

Note the four tuners in the center of the headstock (which must be bango style tuners with the buttons on the reverse) and also the simple bridge which has been moved further back than it would be on a Strat, a dictate of the neck used to allow for the correct scale and compensation.

It doesn't look like a very friendly-to-play instrument. I'm assuming that the strings are arranged in six courses as on a 12-string, but that the top four courses each have three strings. This means that the strings are all so close together that it is hard to tell where one course ends and the next begins. I'm guessing that the "Guitar from Hell" sticker near the bridge is appropriate!

G L Wilson

Additional (6 December 2009): Here's what Steve Albini himself says of the instrument:

It's a drone instrument. I saw a 12-string made like this (Epiphone neck on strat copy body) and asked the guy who made it how many strings he could fit on one guitar. His answer was 16, so I asked him to make one. The first one was a thank-you gift for Sonic Youth, who had invited Rapeman to play some shows with them in the UK. It turned out to be real fun to play, so I had another one made and that's the one we have here. It's used on a lot of records as a novelty, and on the Shellac song "Pull the Cup" in earnest.

The demo version of "Pull the Cup" is called "XVI," which is a hint.

Bob got to play one of Tom Petersson's 12-string basses at a Cheap Trick sound check, and I think he's going to see about getting one eventually. Expect everything to change once that happens.


http://www.electrical.com/phpBB3/viewtopic.php?f=4&t=46349&p=1007753

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Wednesday, 21 October 2009

1960s Greco Surf Guitar

guitarz.blogspot.com:
This 1960s Greco is in immaculate condition. It looks as if it could be new. I just love the probably impractical headstock design.

If asked I would have guessed that this was a European, possibly Italian guitar, but of course - being a Greco - it's Japanese.

Greco were better known for their later Fender and Gibson copies in the 1970s and which seriously worried those giants of guitar production.

The Greco brand were produced by Kanda Shokai and were of such high quality that Fender legitimised the production of Japanese replicas of Strats and Teles with the launch of Fender Japan and the Squier brand which were also produced by Kanda Shokai and Yamano Gakki and built in the FujiGen Gakki, Tōkai and Dyna Gakki factories.

G L Wilson

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