Keep those stories and photos of your guitars coming in, folks! And as Bertram has already commented, lets see some more photos of you guys playing your guitars.I recently acquired another pointy 80s Japanese Monster. (Sounds a bit like something from Godzilla, eh?)
This is a model you've not yet covered: A 1983 B.C. Rich Ironbird, made in Japan in '83-'84. This isn't apparently the most popular shape (though used by the likes of Tony Iommi and Paul Stanley), but sure beats that ugly Widow! Mine's not really in the best shape (not by my hands), but plays great and sounds fantastic as well. I know B.C. Rich isn't known for necessarily ergonomic designs, and although this doesn't look it, it is very comfortable. Played in the classical seated position (which is the only way I do), it rests comfortably on your leg, being cut-out in a manner that it balances in the perfect position. Standing, it's a bit neck heavy but the long lower horn acts as a rather decent balance/armrest.
I was drawn to this by its Kahler trem (far superior to the Floyd Rose, in my opinion), which has proved a great asset to both my playing and alternate tuning purposes. The pickups are probably the stock B.C. Rich units, they are unmarked. I'll admit the pickups also attracted me on looks alone. I can't resist rails or hex-screw pole pieces. It joins my Electra Futura in the "outragoeus pointy guitar with a metallic finish" group of instruments.
I've got not much else to say, it's a great guitar and it comes in a simple yet attractive package.
G L Wilson
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