

It might sport a totally impractical body shape, but to my eyes this 1980s Japanese Kawai Moonsault is a thing of beauty. Despite the obvious shape difference, it has a Les Paul quality to it. Look at that binding, the pearloid inlays, and my favourite feature: the phase of the moon fingerboard inlays. I also love the silverburst finish, which is infinitely preferable to yellow which makes the guitar resemble a banana.
On another topic, I'm taking a break over the next week or so, so don't expect a plethora of new posts. I may try to post something whilst I'm away - it all depends on how busy I am. Regular blog posts should begin again on 14 April.

I appreciate that
How cool is this? For several years now, Paul Rubenstein has been showing schoolkids in Brooklyn, New York,
I won't be the first to ask and I very much doubt I'll be the last: Just what were Gibson thinking of in the early 1980s when they dreamt up the design for the 
The eagle-eyed amongst you will have noticed that topic labels have begun appearing beneath posts. These should aid cross-referencing and searching through the archives. I've been applying these labels over the last several days, and whilst all the most recent entries have been taken care of, not all of the archives are indexed yet. It's a very long process, it seems.
I'm not 