Friday, 11 March 2022
Make Scales More Fun!
Tuesday, 30 November 2021
Playing by ear: Top tips
Guest post by Alex Bruce
Keep it simple
Chord types
Rhythm transcription
Improvised soloing / backing tracks
Jam!
Friday, 1 October 2021
Beginner Guitarists - 5 Things You Should Know
Guest post by Alex Bruce
Image by Valéria Rodrigues Valéria from Pixabay |
1 - Rapid Progress Is Around The Corner
- Beginner guitarist picks up the instrument
- Finds it challenging (obviously)
- Presumes they’re innately ‘not very good at it’ or it’s ‘too hard’
- Stops playing.
2 - Your Body Will Adapt
3 - Try Almost Everything
- When learning your first riffs, chord patterns and songs, there’s much to be learned from all the usual beginner guitar songs and styles, but don’t stop there. You might just find - if you turn your hand to beginners’ country guitar, or thrash metal, that you one - really enjoy it, and two - have a natural flair for it too.
- Of course you’re going to primarily take on beginner level material, and rightly so. It’s important you follow the well-worn paths that have led so many guitarists to advanced levels, success and creative fulfilment. However, trying to play more complex, advanced bits of material gives you an insight into what’s to come, may make you learn something new, is good inspiration, and great fun. Don’t be afraid to try these things once in a while. It’s not about mastery, it’s about testing yourself.
4 - Don’t Avoid Things
5 - Acquire The Tools You Need
- Guitar (the obvious one)
- A pick
- A tuner or tuning app
- A capo
- A cable and amplifier if playing electric guitar
- Spare strings
Sunday, 15 August 2021
5 Things Rock Guitarists Can Learn from Classical Guitarists
Guest post by Alex Bruce
Image by _Alicja_ from Pixabay |
As a Guitar teacher, one hour I’m teaching Hendrix songs, and the next hour I’m helping someone prepare their Classical Guitar grade 4 exam pieces. The next day it might be Jazz and Blues, the following I’m teaching songwriters - From Punk band leaders to Folk ballad weavers. This kind of overview of aspiring Guitarists and Musical styles got me thinking about the Guitar playing discipline as a whole. What divides these styles? What unites them? And what can they learn from each other?
What’s fascinating is to compare two styles that strike you as opposites. For example, Rock Guitar with its crowd surfing, soloing and distortion, and Classical Guitar - with its nylon strings, bow ties and sight reading.
So, here’s a list of 5 things that Rock Guitarists can (and should) learn from Classical Guitarists:
1 - Learn To Read!
OK, you don’t have to be taking sheet music on music stands up on stage at your band’s gigs, but you need to be able to write out a lead sheet for a band member or even more importantly, understand one that’s being presented to you. Whether you’re a hobbyist, performer, songwriter, teacher, jamming with friends, it doesn’t matter. It’s important to be able to read the basics of pitch and rhythm, and it’ll make you a more secure performer, and a faster learner. Go and do it!
2 - Posture Not Posing!
Again, this doesn’t mean you should start playing your electric in a Classical Guitarist’s pose. It means you should look after your body and hands. Not bending your back right over, not developing wrist pains, but playing in a comfortable, sustainable position! Standing or sitting, you should have a straight back, and your feet on the floor. Position your elbow in such a way that your wrist isn’t having to bend dramatically to hold the Guitar’s neck. Your Guitar heroes might not always hold perfect posture for the hour they’re on stage, but if they’re putting in serious practice time (which they definitely are!) then they’re either in a good posture, or in regular physiotherapy!
3 - Cut The Noodles!
OK this is a tricky one, because from Steve Vai’s 10 hour practice routine, to the great many of you who spend every spare minute on all things Guitar, plenty of Rock Guitarists are very dedicated to playing and improving. The point here is that the Classical Guitar’s approach brings with it certain associations, one of which is a generally higher opinion of dedicated practice! Plenty of us Rock Guitarists will happily noodle out Pentatonic licks in front of the TV for 3 hours at a time, but lack the discipline to spend just 10 minutes a day with the metronome and a new chord pattern. You should separate “Practice” (learning/working on new/difficult things) and “Playing” (Existing repertoire, noodling, jamming).
4 - Finish What You Started!
In Classical Guitar, playing one section of a piece quite well, then blundering through the next section, then just stopping playing all together, short of the final section is unthinkable. In Rock Guitar, at all ability levels, we do the equivalent all the time. Whether you’re preparing for gigs, exams, personal enjoyment, jamming or anything else, learning a few songs from beginning to end is an extremely important, validating, much-overlooked skill to possess. It’s a Psychological barrier broken, a performance piece in the bank, and exactly what you’d need to do in any amateur or professional gig setup.
5 - Play Clean Not Cool!
Rock Guitar’s cool, often aggressively played, energetic approach can be mistranslated and result in sloppy articulation or loose rhythm. What we perceive as a laid back approach to technique and accuracy from our Guitar heroes, is in fact such mastery of technique and accuracy that the performer has been able to also switch some focus to presence, persona and energy. There has to be steel in the walls! In Classical Guitar,- clean fretting, consistent picking, and economic finger usage all come first, not thrashing the strings or jumping around! (In fact, in Classical Guitar, they never seem to jump around at all! Maybe that’s something Classical Guitarists can learn from Rock Guitarists…but that’s a different list!) Get your playing clean and correct before you speed up/jump around/pick with your teeth/play behind your head (delete as appropriate).
Alex Bruce writes for guitartricks.com which offers guitar lessons for beginners
Sunday, 8 November 2020
Something Strange Came Out Of The Skies
I am delighted to be taking pre-orders for the brand new Spurious Transients album, our very first to be released as a vinyl LP (and on Sky Blue coloured vinyl too!)...
"Something Strange Came Out Of The Skies" is a documentary soundtrack concept album using genuine eyewitness testimony to tell the story of "The Welsh Triangle" UFO phenomena of 1977.
Journey through bizarre tales of UFO sightings and close encounters via songs, musical soundtrack and spoken word content, taking in a variety of musical styles through psychedelia and dub to trip hop and ambient electronics.
A very limited quantity of the LP are available with a 12" square fine art print on 300gsm matte board PLUS a 12-page A4 full colour "UFO zine" complete with lyrics, sleeve notes, UFO newspaper cuttings and articles!
For your 10% discount code, what item of "flying" crockery is synonymous with the term UFO?
Expected release date of physical product: 15 January 2021
Now available to pre-order at: spurioustransients.bandcamp.com
Monday, 22 April 2019
5 Weird Guitars from Craigslist!
Hi there. My name is Billy and I’m a writer with Guitartricks.com, where we teach people how to play guitar online! I’m a huge fan of looking for weird, interesting guitars, and one of the best places to do it is on Craigslist.
Craigslist is home to a number of interesting guitars. Here are some that I came across that are entirely unique and unlike anything I’ve ever seen in person. Some of these guitars are custom-built, others aren’t guitars at all but instead, use leftover guitar bodies and parts. Check them out!
© 2019, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
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Wednesday, 6 February 2019
Very strange Precision and Jazz Bass headless conversions listed on eBay
Here are an odd pair of basses I saw listed in separate auctions from the same seller on eBay. As you can clearly see they are strangely tweaked Fender designs, namely a Jazz Bass and a P-Bass, both bizarrely converted to headless instruments. Well I say headless, but each has a mini-headstock which acts as a string anchor. The mini-headstock in itself is not inelegant; however at the other end of each instrument is a strange protuberance (a butt-stock, perhaps?) carrying the tuners. Surely there could have been a neater way of doing this, e.g using a Steinberger-style bridge with integral tuners. Also note that it would be impossible to stand up either of these basses while not being used without the right kind of guitar stand. As for getting a case to fit...
I'm guessing that these are one-off custom jobs. Judging by the photographs the conversion and finish on each has been carried out very competently. My only questions are Why? and Who will these appeal to?
EBay UK links for these two:
Both are listed with starting prices of £199 (UKP).
More photos of each:
G L Wilson
© 2019, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.
Tuesday, 30 October 2018
Burns Weill RP2G Super Streamline bass guitar from 1959
Burns Weill RP2G bass
This is a very rare bass made in 1959 by Jim Burns and Henry Weill. The body, neck etc., were designed and made by Jim Burns and all the electrics and pickups within the scratchplate were designed and made by Henry Weill.
This particular bass came from the collection of Mark Griffiths - bass player for The Shadows. It was sold in auction some time ago along with many other guitars and basses owned by Mark Griffiths. I did not manage to buy it then but a while ago I contacted the buyer and managed to purchase it.
It is totally original apart from the fact that it had been refinished in the past - possibly when Mark owned it.
It is a very rare bass regardless of previous owners and its actually the only one I have come across. It has two pickups with volume, tone and blend controls plus a pickup selector switch and two-way switch - all working well, and it is a very nice playing bass with a lovely neck, quite narrow but very playable with twenty-two frets with red dot markers and a scale of thirty inches.Currently listed on eBay UK with a Buy It Now price of £950.
G L Wilson
© 2018, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.
Saturday, 6 October 2018
The Piglet guitar build project, part 15
The Piglet in action on-stage with Red & The Hogweeds at a festival in a field somewhere in Wales. That's me on the Flying V bass, by the way. |
For the record, the guitar performs well and is a great stage instrument. Audiences seem to like it as well. It gets pointed at quite a lot, photos taken, etc, and is the cause of a few double-takes! Which is all good promotion for the band.
At The Garage in Swansea |
At The Parrot in Carmarthen |
Landed Fest, near Llandrindod Wells, Wales |
The Piglet, on its stand |
G L Wilson
© 2018, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.
Sunday, 23 September 2018
Rare Fender Acoustic Jazzmaster JZM Deluxe
Love it or hate it, Fender makes acoustic versions of their electric icons. I'm not a big fan, but I understand the appeal. That said, I have some love for this abomination. It's got a "so ugly it's cool" thing going on.
I'll have to do some research and find out just exactly how rare this JZM Deluxe really is.
R.W. Haller
© 2018, Guitarz - The Original Guitar Blog - the blog that goes all the way to 11!
Please read our photo and content policy.